A newly reunited young couple's drive through the Pacific Northwest turns into a nightmare as they are forced to face nature, unsavory locals, and a monstrous creature, known to the Native Americans as Oh-Mah.

本片来自新片场(chǎng )创作(💱)(zuò )人吴晋超(👮)，他担(dān )任这(🤒)部(bù )影片的(🐕)导演、编(biā(👓)n )剧、美术以(🖲)及剪(jiǎn )辑。出(➕)品方(❇)为BITONE。

十多(🐞)(duō )岁(🤶)的(de )米特(⛰)拉是(🚺)一位雄(🗓)(xióng )心(🔧)勃(bó )勃(⭐)的艺(👕)术家，她(tā )正(🛋)(zhèng )在完(wán )成(👯)自己的梦想(👩)作(zuò(⤴) )品，也就(🍠)是拍(🥥)摄(shè )一(📹)部(bù(🍚) )关于埃(🌈)及传奇歌(gē(📺) )手及(jí )女星乌姆·库勒(lè )苏姆(mǔ )的(de )电影。然而，为(wéi )了更真实地刻画乌姆(mǔ )作为一个神(😵)话、一个(gè(🏂) )女人和一位(😸)艺术(shù )家的(🤼)(de )本质，米特拉(🐙)把(bǎ )家庭放(🎆)(fàng )在了事业(🕍)之后(👞)，她自己(🍲)的人(🕸)生斗争(🕛)与(yǔ(😟) )乌姆的(💑)融合(🛀)在一(yī(🏺) )起，使(🐤)她在情感和(✌)艺(yì )术上(shà(🎠)ng )面临崩溃。

1891年(🔛)，后(hò(📦)u )印象(xià(🐫)ng )派大(➕)师保罗(🗼)·高(🕺)(gāo )更在(🥍)巴黎的艺术(😨)(shù )圈已(yǐ )小有名气，但为(wéi )文明(míng )社会的虚伪与矫(jiǎo )情感(gǎn )到(dào )厌烦。对于原始(shǐ )世界(🦃)的渴望驱使(🆖)他离(lí )开家(🙍)中妻小，来(lá(🌗)i )到南(nán )太平(🤡)洋的大溪地(🚺)(dì )；准(zhǔn )备(👇)好为(🌜)追寻已(🎬)久(jiǔ(🙅) )的自然(🔕)(rán )、(💊)野性、(🔒)纯粹(🅿)的(de )生活(🦌)与创(😨)作环境牺牲(😣)(shēng )一切。忍受(🔘)着经(jīng )济上(⛽)(shàng )的(🎟)贫困和(🚍)精神(🍛)上(shàng )的(😊)孤(gū(👘) )寂，高更(🛶)走进丛(cóng )林(🚩)(lín )深处(chù )，认识了当地的(de )毛利人，邂逅了(le )原住(zhù )民女孩德胡拉；一段(duàn )三角关係也若隐(🛀)(yǐn )若现(xiàn )地(⬅)(dì )缓缓浮出(🎉)。这座(zuò )远方(🎁)岛屿彷佛是(❕)他灵(líng )魂的(🔑)故土，此处(chù(🤭) )充满(🎅)(mǎn )生命(🏀)力的(📈)人物面(🚡)(miàn )貌(⚾)与(yǔ )地(💥)景线(🐍)条都成(🌨)为(wé(🐆)i )他的缪(miù )思(🚆)，激发他创作(🈺)(zuò )出艺术生(🧠)涯中(🏂)最具标(🙍)(biāo )志(🎈)性的大(🥁)师之(🐱)作(zuò )。

An evil creature attacks a small mining town. A college student and a cranky outcast must uncover the mystery ysgou.cc of the creature's past to put an end to the bloodshed.

Set in contemporary New York City, Cacaya is the story of a young Brazilian woman, who ends her tumultuous relationship with an American man, and then discovers she is carrying his child. The couple's struggle to interact during the pregnancy, and to deal with the situation, increases the tension between them. The film interweaves this modern narrative with indigenous Amazon rainforest folklore and ancient Greek mythology of the Amazons, using the framework of German dramatist Heinrich von Kleist's 1808 tragedy Penthesilea.

青(👠)(qīng )年画家岸(🗑)春自小(xiǎo )在内(nèi )蒙古长大，当地(dì )的(de )风土(tǔ )人情造就了他的(de )艺术才华。然而(ér )在他(tā )的(🐼)内心一直有(✂)着(zhe )一块(kuài )难(⏪)以抚平的伤(🚊)痕(hén )，过(guò )早(🧛)(zǎo )缺失的母(🐙)爱让这(zhè )位(❌)人前光鲜的(♟)艺术(🏀)家(jiā )在(👣)情感(🧝)里陷入(😿)迷(mí(🐛) )失，常以(🎿)酒精(🍉)为伴麻(má )醉(📿)自(zì )我。当受(🏕)一位蒙(méng )古(🎂)老人(rén )所托(🏉)，为他(🚗)英年(niá(📜)n )早逝(💧)的母亲(🔖)画一幅肖(xiā(🧣)o )像，这个母亲的(de )肖像(xiàng )却怎么都画不出(chū )神。对于母爱缺少感(gǎn )触(chù )与理(lǐ )解，成了他无法(fǎ )落笔的(👉)难题。心(xīn )烦(💤)意(yì )乱之时(👩)，岸春遇(yù )到(⛎)了(le )单身妈妈(🈚)如西，如西(xī(👫) )和(hé )儿子的(🈷)温情(🧗)不仅(jǐ(😤)n )让他(➰)感受到(🌺)母爱(😒)的温(wē(🏵)n )暖也(👥)让他找寻到(❎)(dào )了爱(ài )情(👎)的味道。但是(🚐)(shì )，母(mǔ )亲到(🏠)底为(💯)什么会(🌐)(huì )从(🖲)小抛(pā(🎁)o )弃自己，在日(📺)日(rì )夜夜的叩问中，也在(zài )如西的介入下，似乎(hū )有了意想不到的(de )答案(àn )，岸春也踏上寻(xún )母之路(lù(🛒) )。母亲的肖像(🎾)到(dào )底能否(💨)兑现给蒙(mé(😽)ng )古老(lǎo )人的(⌚)期盼？岁月(🍺)(yuè )里母(mǔ )爱(🥔)的真(🥄)相会怎(🦌)样(yà(🐢)ng )揭开(kā(👗)i )？原(🏂)来，岸春(🏓)的母(📯)(mǔ )亲一直以(🏵)一个特殊的(👬)(de )身份出现在(🌠)他的(de )生活(huó(🐣) )里！面(⚡)对时间(✡)、面(😴)对(duì )生(👠)命的脆弱多(⚡)变(biàn )，只想(xiǎng )向岁月祈求，时(shí )光你慢些走，让儿子(zǐ )还能记下母亲的(de )容颜(yán )......